Summary of our market study

The global radio station market has shown consistent growth with its value rising from $83.74 billion in 2022 to an anticipated $87.31 billion in 2023, achieving a 4.3% CAGR, and is expected to reach $100.64 billion by 2027 with a CAGR of 3.6%. Italy's radio sector reflects this positive trajectory, as advertising investments in December 2022 increased by 2.0% from the previous year, amounting to approximately €36 million and totaling around €370 million for the year, a 1.7% increase from 2021. However, the broadcasting sector experienced a 4.5% dip in total investment in 2022, amounting to €3.9 billion compared to €4.1 billion in 2021. COVID-19 pandemic altered listening locations, with home listening jumping from 47.9% pre-pandemic to 70.9%, and device usage for radio increased. The market trends also point towards digitalization with web radio and podcasts gaining popularity, providing on-demand content and reaching global audiences beyond traditional local broadcasting limits.

Radio Market Demand Trends in Italy

Radio remains a significant medium in Italy, albeit with changing listener demographics and habits. The market for radio broadcasting has observed a shift as younger audiences gravitate towards streaming services and podcasts. Despite this, radio sustains its popularity mainly among older demographics. The Italian territory showcases a strong concentration of radio broadcasters in the southern regions, with Lazio having the highest presence. The demand for radio content leans heavily towards contemporary pop, adult music, rock, alternative, and indie music genres. A critical trend in the radio market is the decline in listenership among the younger population, specifically those aged between 14 and 25. On the flip side, the market has seen a surge in podcast consumption. Between 2021 and 2022, the number of podcast listeners in Italy grew by approximately 7%, reaching between 15 and 20 million. The preferred location for radio listening has traditionally been the car, with nearly 74% of listeners tuning in from their vehicles. However, post-pandemic, there has been significant growth in at-home listening. This shift is accompanied by a change in the devices used for listening, with home devices seeing increased usage.

In terms of socio-demographic data, the number of male and female listeners exhibits only a slight difference, with the most substantial number of listeners falling in the age category of between 45 and 54 years old. Among professional categories, managers and executives top the chart with between 5 and 7 million listeners. RTL 102.5 leads the race for the most listened-to radio station, with over six million daily listeners, followed closely by Radio Dimensione Suono with nearly 5.5 million daily listeners. Listeners' motivations for tuning into the radio are diverse; nearly half consider it an avenue for relaxation, while similar proportions listen to their favorite music or improve their mood. The radio also serves as a medium for reliable information, providing updates on local and current issues and contributing to the feeling of community among listeners. Overall, while digital platforms and on-demand services like podcasts are gaining ground, traditional radio broadcasting maintains its stronghold in the Italian market, adapting and evolving to meet the varying demands of its audience.

Principal Actors in Italy’s Radio Broadcasting Landscape

  • Public Broadcasting Giant: RAI - Italian Radio and Television RAI, Italy’s national public broadcasting company, holds a distinguished position in the market by offering a comprehensive public service. It operates several radio brands, including Radio Rai 1, Radio Rai 2, Radio Rai 3, Isoradio, and Gr Parlamento, providing a rich variety of content from news and current affairs to cultural programs and music.
  • Leading Light of Commercial Radio: R.T.I S.p.a R.T.I S.p.a, part of the Mediaset Group, commands significant attention in the commercial segment. Its subsidiaries, including Radio 105, Virgin Radio Italy, and R101, offer an exciting mix of popular music, contemporary hits, and entertainment programs that cater to a diverse audience.
  • Content Pioneer: Elemedia S.p.a Elemedia S.p.a is well-known for its stations such as Radio Deejay, Radio Capital, and M2O. These stations have established a loyal following by delivering on-trend music, engaging talk shows, and other innovative content that resonates with various listener demographics.
  • Music Aficionado’s Hub: Radio Dimensione Suono (RDS) Radio Dimensione Suono has earned its place in the hearts of music lovers with its charming mix of the latest hits and classic tracks. Known for its strong connection with the community and its ability to keep the audience connected with the world of music, RDS is a staple for those who love to tune in to the universal language of melodies.
  • Community Radio Evangelist: Radio Maria Radio Maria represents the community radio sector, operating on a non-profit basis. It's a faith-centered broadcaster that has garnered an extensive reach both nationally and internationally. It offers spiritual content, prayers, and religious discussions that provide solace and community connection to its audience.

Each of these players brings unique value to the Italian radio market, creating a dynamic environment enriched with content that caters to the diverse tastes and preferences of listeners. From the vast coverage and cultural significance of RAI to the targeted auditory experiences of commercial entities like R.T.I and Elemedia, and the valued community service provided by Radio Maria, Italy's radio broadcasting landscape is both vibrant and inclusive, sustaining the timeless appeal of radio in the digital age.

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Summary and extracts

1 Market Overview

1.1 Definition and presentation

The word "radio" refers to the medium by which audio content is broadcast in real time to different geographical areas. Radio is considered one of the most popular mass media. The different types of radio are

  • Analog radio: this is the classic form that still prevails today.
  • Digital radio: this category includes digital terrestrial or satellite television and web radio.
  • Satellite radio: radio transmitted through the satellite network.

Globally, The global radio station market is expected to grow from $83.74 billion in 2022 to $87.31 billion in 2023, with a compound annual growth rate (CAGR) of 4.3 percent.

According to ISTAT data referring to the ateco code: 60.10.00 on "Radio broadcasting," there will be a total number of 709 broadcasts in 2021. The distribution of radio broadcasters on the Italian territory is largely concentrated in southern Italy. Just under four out of ten radio broadcasters, in fact, are located in Southern Italy (26 percent) and the Islands (13.8 percent). This is followed by the remaining geographical macro-areas of Central (25.1 percent), Northwest (21.3 percent) and Northeast (13.8 percent). The region with the highest presence of radio broadcasting is Lazio with 14.8% of the total

The trend in the industry is for a decline in younger listeners (14-25), who are gradually abandoning radio in favor of streaming services. In fact, in 2022, in Italy, podcast consumption increased by 7% to 15.4 million listeners, with an average listening duration of 23 minutes. As for the places where Italians listen to the radio most, the car remains in the lead, but there is also significant growth in listening at home, following the pandemic period, which has led to a change in the habits of radio broadcasting enjoyment.

1.2 World Market

The global radio station market will grow from $**.** billion in **** to $**.** billion in ****, with a compound annual growth rate (***) of *.*%. The radio station market is expected to grow to $***.** billion in ****, with a CAGR of *.*%.a radio station is defined as a complex structure consisting of radio transmitters, antennas, and other ...

1.3 Italian Market

Radio stations make money by selling advertising, so we can understand its development positively or negatively based on the value the advertising investments obtained. Radio, is confirmed as the only medium between TV and Print that grows in almost every month of the year. During the month of December ****, the medium ...

1.4 Covid-19 Impact

Some of the restrictions put in place during the pandemic, such as less mobility, had an impact on radio listeners, changing their traditional radio enjoyment as well. Before the pandemic, about **.*% of listeners preferred the car as the place to listen to radio broadcasts. During the course of the pandemic and ...

2 Demand analysis

2.1 Socio-demographic data of listeners

The graph below shows the evolution of the number of listeners divided by gender. Until ****, the number of female listeners was higher than the category of male radio listeners, only to present a reversal from **** onward. There is no notable difference between the two groups, which differ by a few hundred ...

2.1 Content preferences

Contemporary pop/adult music and Rock/alternative/indie music are the top two responses from Italian consumers in Statista's survey on "Favorite Radio Content by Genre." The survey was conducted online among *,*** respondents, ages **-**, in Italy in ****.

Favorite radio content by gender in Italy as of March **** Italy, ****, as % of ...

2.3 Most listened to radio stations

From January to June ****, RTL ***.* was the radio station with the highest average number of daily listeners in Italy: over six million. Radio Dimensione Suono-also known as RDS ***% Greatest Hits-ran in second place with nearly *.* million daily listeners.

Top radio stations in Italy in H* ****, by average number of daily listeners Italy, ...

2.4 Motivations behind listening to the radio

The graph describes the role of radio for different activities according to the opinion of survey participants. **% of participants believe that the radio plays an important role in relaxing. Almost the same percentage (***) use the radio to listen to their favorite music. **% of the participants use the radio to improve their ...

3 Market structure

3.1 Characteristics of the Italian market

Over the past five years, the number of radio broadcasts has been steadily decreasing, reaching a total number of *** in ****, from the *** recorded in ****. Organizationally, the radio broadcasting sector is predominantly made up of corporations, accounting for **.*% of enterprises. This is followed by other corporate forms, corresponding to **.* percent, partnerships with ...

3.2 Differentiation by transmission types

NationalRadio: In ****, the Italian radio market at the national level consists of a total of ** operators (***).

* are radios under the public service operator RAI, ** are radios of a commercial nature owned by ** corporations (***); * are radio stations of a community nature (***)

Radio Nations/Company Groups

Local Radio: The local radio sector ...

3.3 MISE: fund for small and medium-sized creative enterprises

This Fund, with an endowment of ** million euros for the years **** and ****, aims to promote the establishment, development and consolidation of businesses operating in the creative sector, through the granting of grants, facilitating access to credit and promoting innovative financing tools, as well as other initiatives for the development of the ...

4 Supply analysis

4.1 Existing types of radio broadcasting

In Italy, the ** national networks with a commercial character - Deejay, RDS (***) attract, overall, only **% of the audience. More substantial is the local radio sector, consisting of more than *** broadcasters, accounting for about **% of the audience. None of the European commercial networks, in fact, has a listenership comparable to that of ...

4.2 Supply Trends: Web Radio & Podcasts

In the past, small transistor radios were the most popular tool for listening to the radio, easily carried in one's pocket. However, today the smartphone has emerged as the most innovative medium through which the younger generation and the general public can listen to radio. Each radio station has its own ...

4.3 DAB broadcasting, the market-leading innovation

Radio has always adapted to technological innovations and sought to take advantage of new opportunities as they arose. The advancement of DAB, which offers high listening quality, has enabled the development of thematic radio stations that can be listened to not only live, but also in specialized modes for fans. The ...

5 Regulations

5.1 Regulation

In Italy, radio broadcasting is subject to various rules and regulations. The following are some of the main Italian regulations concerning radio broadcasting:

Law No. *** of August *, **** (***): This law establishes the general regulatory framework for the organization and operation of the Italian radio and television system. It regulates aspects such as ...

6 Positioning of actors

6.1 Segmentation

  • RAI - RADIOTELEVISIONE ITALIANA S.P.A.
  • R.T.I. S.p.a
  • ELEMEDIA S.P.A.
  • Radio Dimensione Suono S.p.A.
  • Radio Maria

List of charts presented in this market study

  • Value of the world radio market
  • 2022/2021 % change in advertising investment
  • Changes in radio listening habits during the pandemic
  • Change in the tools used for radio listening with the advent of the pandemic
  • Number of radio listeners in Italy in 2023, by employment status
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Companies quoted in this study

This study contains a complete overview of the companies in the market, with the latest figures and news for each company. :

RAI - RADIOTELEVISIONE ITALIANA S.P.A.
R.T.I. S.p.a
ELEMEDIA S.P.A.
Radio Dimensione Suono S.p.A.
Radio Maria

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